|

Buy
Two Weeks Notice Poster
Cast
and Credits
Marc Lawrence (Director)
Hugh Grant (George Wade)
Sandra Bullock (Lucy Kelson)
Alicia Witt (June Carter)
Dorian Missick (Tony)
Visit
the official Two Weeks Notice website
|
|

|
Romantic
comedies are some of my very favorite types of cinema, if
they are original and not drawn into the same old lame
scenarios and clichés, as in the case of "Maid
in Manhattan". Those timeless
romantic comedies, like "Pretty Woman",
"IQ", and "My Best Friend's Wedding"
follow basically the same formula, but throw a little
something extra in to make them unique and luring.
"Two Weeks Notice" isn't quite as good as those
films, but it managed to make me laugh and really care about
the two principal characters.
Sandra
Bullock stars as Lucy Kelson, a Harvard graduate who is
obsessed with improving the environment and conserving
landmarks. Essentially, she is a goody-goody nerd with
the body and face of a supermodel. Go figure, eh?
When does that ever really happen? Only in Hollywood,
people. She eventually meets a billionaire land
developer named George Wade (Hugh Grant). Wade hires
Lucy for two reasons: (1) he likes the way she works,
and (2) he wants to have sex with her. How blunt.
Grant and Bullock are complete opposites and spend most of
the film arguing over their various beliefs and opinions.
Halfway through the film, Grant agrees to let Lucy quit and
go back to doing her morally fulfilling pro-bono work.
She is replaced by June Carter (Alicia Witt--NOT June Carter
Cash...yuck), an attractive redhead who, it would seem,
would have nothing on her mind but seducing Grant and
winning him over.
WRONG! This is when "Two Weeks Notice"
becomes an 'original' romantic comedy. It turns out
that Alicia Witt is just as sweet as cherry pie and never
makes any abnormal advances towards Grant. When she
does come on to him, it it out of pure instinct. Alas,
though this makes this an original picture, it kind of
hampers it in a way. Her not serving as the ruthless
Sharon Stone-esque villain turns the second half of this
film into sugary romance. Grant and Bullock all of a
sudden become sweethearts and we are left wondering how that
made the transformation so quickly. That's Hollywood
dazzle for you. So, now for the basics...
WHAT I LIKED: I liked the chemistry between Grant and
Bullock. Hugh Grant has always been one of my favorite
actors ("Nine Months" was hilarious and "About
A Boy" was marvelous also, not to
mention he is nominated for a Golden Globe this year), but
Sandra Bullock seems to always make a really good movie, and
then ruin it with three terrible ones. She impressed
me in this film because I also liked "Murder By
Numbers" earlier this year--that's two in a row for
Sandra. I also liked how this film strayed sometimes
from the basic romantic comedy plotline of two complete
opposites overcoming obstacles to win one another's
affections. The Alicia Witt factor was half a plus and
half a disaster.
WHAT I DISLIKED: I disliked how syrupy the second half
of the film became. I was kind of liking Hugh Grant as
the conceited and sarcastic billionaire who cared as much
about sex as he did money. I also liked Bullock as the
nerd with morals who had no reason to be remotely attracted
to Grant. It reminded me of the speech Cher gives to
Jack Nicholson in "The Witches of Eastwick" about
he being the most repulsive man she had eve seen, only to go
straight to bed with him. Sure, he was the devil, but
the comparison is valid. And, of course, the Alicia
Witt factor hindered as much as it helped.
So, "Two Weeks Notice" is not your typical
romantic comedy, but really doesn't do a whole lot that is
new and original. This will be an optimum date movie
and I recommend this over "Maid
in Manhattan"
thoroughly. Hugh Grant and Sandra Bullock fans will be
pleased, but the Bruce Willis, 'bone crusher' action fans
will probably walk out having just awoken from a long and
comforting nap.
-- Billy
Ray ( 2 1/2 pops out of 4 pops )
Talk
about this film with other Popkorn Junkies |
|
Other Junkie's
opinions.....
Matt ( 3 out of 4
pops )
All I have to say is
Hugh Grant and Sandra Bullock make an absolutely wonderful team!
Their chemistry is excellent and they possess the same magic of Tom
Hanks and Meg Ryan. Like Hanks and Ryan, I hope they go on to do
more movies together. The film is delightful and very, very funny.
Though the two characters don't like each other much from the get-go,
they don't exactly loathe each other and you can feel the sexual
tension. It's not one of these dopey romantic comedies where the
two of them claw at each other nonstop and at the last 10 minutes, we're
supposed to believe that they're really in love. My only
major criticism is (SPOILER ALERT! SPOILER ALERT!) the romance
that develops between Grant and Alicia Witt. It seems to have been
thrown in simply to add on a plot obstacle and soon enough, we
arrive at the obligatory scene where Sandy Bullock catches Hugh and
Alicia in his hotel suite, both half-naked. But with a film
as charming and relentlessly likable as "Two Week's Notice" I
was able to let it slide. The dialogue is packed with wit (written
by Marc Lawrence, who also wrote "Miss Congeniality" and
"Forces of Nature") and delivered with great precision by the
two talented performers. Robert Klein is a talented, underrated
comic and has a few funny scenes as Bullock's father. Basically, I
laughed a lot and felt great when I left the theater. I'd say the
film did its job.
|
|