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MOVIE REVIEW FOR "IRREVERSIBLE" STARRING MONICA BELLUCCI, VINCENT CASSEL, AND PHILIPPE NAHON
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Note: This film has an R rating

Junkie Rating:

This film received 3 1/2 pops out of 4 pops.This film received 3 1/2 pops out of 4 pops.This film received 3 1/2 pops out of 4 pops.This film received 3 1/2 pops out of 4 pops.

 

Cast and Credits

Gaspar Noe (Director)
Monica Bellucci (Alex)
Vincent Cassel (Marcus)
Albert Dupontel (Pierre)
Philippe Nahon (Philippe)
Jo Prestia (La Tenia)

 

 

 

 

 
      Now, ladies and gentlemen, I present the review for the the most graphic and brutal film I have seen since "Natural Born Killers", and before that, "A Clockwork Orange".  "Irreversible" has been leaving theatre goers in disarray.  Many have not been able to sit through the entire film without walking out.  In fact, several people left the theatre where I saw the film.  Why?  Because there is a brutal rape scene in the film that lasts almost nine minutes (much more graphic that anything Kubrick or "Straw Dogs" did).  You also get to see someone get their face smashed in, and it is not pretty,  But, those aspects of the film are necessary for director Gaspar Noe to complete his nightmare vision of violence and revenge.
 
      The plot of the film is simple:  a woman is brutally raped by a stranger, and the woman's ex-husband and best friend set out for revenge.  Monica Bellucci (who also stars in "Tears of the Sun", a less that compelling film) is the rape victim and she brings an intensity to her performance that she completely left out of her scenes with Willis in the aforementioned war picture.  She is explosive in "Irreversible", her best film to date and a true testament to her acting abilities. 
 
      The most obvious success for this film is the directing by Noe.  He has crafted a nightmare that is both original and horrifying.  He borrows from Kubrick and Peckinpah, but improves on what they started and churns out two or three scenes of pain and violence that makes "Natural Born Killers" look like "The Muppets Take Manhattan".
 
      Now, for a warning.  You get to see the ending first in this film.  I don't think it was trying to copy either "Memento" or "Pulp Fiction" but, with the story matter, it was very necessary.  Even if Loe was copying--so what?  "Memento" copied "The Zero Effect", and "The Zero Effect" copied "Pulp Fiction".  Get over it.
 
      "Irreversible", I suspect, will open to a wider American release, and you will be hard pressed to find it right now, especially since many theatres are leery of opening it, due to the excessive violence.  Go overseas and I am sure you will be able to find it in an unedited version.  It might see some over here, but I doubt it.  If we can let "Jackass: The Movie" hit 2500 theatres, I'm sure a film with a powerful message as this isn't going to cause as much damage as two idiots ramming into one another in shopping carts.  This film is wholly unique and a must see for cinema lovers.  "Irreversible" is a real hidden gem.


     --
Billy Ray
 ( 3 1/2 pops out of 4 pops ) 

 

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Other Junkie's opinions.....

      Mike ( 3 out of 4 pops )

      I thought I was prepared to see this film after reading many reviews of it... but it still managed to shock me with the realism of brutality which takes place.  The theme of how horrific events can lead men to seek primal revenge without any forethought is what is at the core of this film, and the emotional impact that it delivers is astounding.  I really liked the story going into reverse, ala Memento, so it takes an original approach in that the story goes from hell to heaven instead of the other way around. The camera angles and pulsating music also help drive home the madness which takes place.  I'm not sure if what I saw was a pornographic art film or a powerful revenge drama.... I kinda think it's a combination of the two.  While the realism of the violence and rape were necessary to the story, I don't believe however that it was necessary to draw them out and make them as long as they were.  They would have worked if shown in half the time.  In any case, this was one film I won't forget for a long time.