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Cast
and Credits
John Whitesell (Director)
Jamie Kennedy (Brad Gluckman)
Taye Diggs (Sean)
Anthony Anderson (P.J.)
Blair Underwood (Tom)
Regina Hall (Shondra)
Ryan O'Neal (Bill Gluckman)
Snoop Dogg (Ronnie Rizat)
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Shakespeare once wrote that
something was rotten in Denmark and in the case of the new film
"Malibu's Most Wanted", it is Malibu that contains the
olfactory threat. The threat is in the form of a movie that takes
its one joke premise to painful lengths and forces the audience to
endure the same pointless banter and lazy stereotypes ad nausea. The
so called story centers around Brad Gluckman (Jamie Kennedy), a rich
Jewish kid from Malibu who thinks that he is so ghetto, and that he
is a rapper with something to say about life in the hood. Brad's
father Bill (Ryan O'Neal) is running for Governor, and his son's
behavior has become an issue in the campaign, as he is a walking
sound bite for the opposition. So what is a loving yet lost father
supposed to do when therapy fails, naturally he turns the fate of
his son over to his campaign manager Tom (Blair Underwood).
Tom
hires two actors to kidnap Brad and scare the hood out of him by
showing him what things are really like in the inner city thus
setting Brad straight and keeping him out of the way during the
campaign. The actors are hired and the kidnapping goes as plans. The
only issue is that the men hired to scare Brad, are even less from
the hood than their intended target as Sean. (Taye Diggs), and P.J.
(Anthony Anderson) are classically trained actors who worry more
about character motivations and authenticity then developing a solid
plan to reform Brad.
While this could have been an amusing premise, it quickly degrades
into the same joke over and over as Brad is oblivious to what is
happening around him, and has no consistency in his character. There
are times when any sane person would realize that it is time to drop
the act and play along if nothing else than for self-preservation.
Sadly we only see a small side of this, and Brad fluctuates between
poser, player, and thug in scenes with little neither transition nor
motivation. Watching the film reminded me of a sketch comedy piece
that went on far to long and after getting a few laughs did not have
anything to sustain it. It became tiresome to hear the same banter
between the characters and see little development or motivation for
the actions even by comedies standards. The result is a film with
little to say where the characters walk through their one-note parts
while the audience keeps waiting for a payoff that never comes. My
advice, skip this turkey and watch "Anger Management" as
at least that film has some laughs and some effort put into it.
-- Gareth
Von Kallenbache
( 1 out of 4 pops )
Talk
about this film with other Popkorn Junkies |
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Other Junkie's
opinions.....
Billy Ray ( 2 1/2 out of 4 pops )
I did not go into the theatre expecting a brilliant comedic picture.
I went into the theatre expecting a dimwitted, clichéd, and ridiculous
film that was probably going to defy everything I hold true in my
opinions as a critic. But, I was also expecting to laugh.
And, you know what...I did. Everything else I thought was
completely accurate, but I laughed and laughed and laughed, mainly at
Anthony Anderson and Taye Diggs as the two professional actors bought to
show Jamie Kennedy about real hood life. They were friggin' great.
And, though Jamie Kennedy gets under my skin like a tape worm, he was
actually less annoying than he is weekly on his WB series. So,
this is a terrible movie, by all means, but still funny as hell. I
do not recommend you see it in theatre, however--save those big bucks
for something with substance. You can wait until video for this
one.
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