Cast
and Credits
Brad Silberling (Director)
Jake Gyllenhaal (Joe Nast)
Dustin Hoffman (Ben Floss)
Susan Sarandon (JoJo Floss)
Holly Hunter (Mona Camp)
Ellen Pompeo (Bertie Knox)
Dabney Coleman (Mike Mulcahey)
Richard T. Jones (Ty)
Visit
the official Moonlight Mile website
|
| |
Though
I can't say the Oscar race is over, I can certainly say that it
has been narrowed down a bit. Which film has created such
a buzz and become worthy of such an honor? Why, it's
"Moonlight Mile", the newest drama from the director
of "City of Angels" and "Casper". The
man is Brad SIlberling and "Moonlight Mile" is based
on actual events. Silberling's girlfriend, Rebecca
Schaeffer, was murdered in 1989 by an obsessed fan and this film
details the events that transpired after her death, between he
and her parents. That's one of the primary reasons this is
such a powerful film--you can feel the emotion and heartache
buried beneath the quirks and subtle humor. Usually I
mention this at the end of the review, but why bother--this is
the best motion picture of the year.
The setting is 1973 and Joe Nast (Jake Gullenhaal) is living
with Ben and JoJo Floss (Dustin Hoffman and Susan Sarandon).
The Floss' daughter, Diana, has died, who just so happened
to be Gyllenhaal's fiancé. His plans are put on hold as
he stays in an upstairs bedroom, trying to overcome the loss of
his love, while also engaging in a new love of his own.
This film chronicles the healing process in a way I have never
seen before, as we see it through the eyes of the fiancé and
the parents. We also see the relationship between the fiancé
and the parents go through its ups and downs. This is a
very emotional film, as it does deal with death, but it is also
very quirky and full of humor. Sarandon does a wonderful
job of inputting some delightful little moments of comedy, as
does Gyllenhaal, who is great with facial expressions and
physical comedy. Holly Hunter co-stars as the lawyer
handling the case against Diana's killer, Dabney Coleman is the
local millionaire, and Ellen Pompeo is the young girl to which
Gyllenhaal takes a liking.
This film is overflowing with Oscar worthy performances, the
most notable being that of Dustin Hoffman as the bereaved
father. There is one scene, which you can see on the
trailer, when Hoffman belts out, "I'm going to tell you
something I never got the chance to tell her". He
proceeds to kiss Gyllenhaal on the forehead with a face filled
with tears. This scene is gut wrenching, as are several
others in this film. Gyllenhaal gives another stellar
performance, as he did in both "Donnie
Darko" and "The
Good Girl". His performance in
"Moonlight Mile", however, surpasses the others
because he is essentially the star of this film and is given
more time to stretch his acting abilities. The rest of the
cast is on target, as well, and I might say that it was great to
see Dabney Coleman in another film--he is so wonderful onscreen.
Though this film has opened in limited release, it had the gusto
to take on a wide release straight out of the can. The
star power and elegance of this film are the kind that most
viewers recognize and flock to see. Director Brad
Silberling has elevated himself, though at a personal cost, to a
new level of direction and should be given much more credibility
than "Casper" warranted.
So, here's the Oscar plead sheet: Best Actor (Gyllenhaal),
Best Actor (Hoffman), Best Actress (Sarandon), Best Director (Silberling),
Best Original Screenplay (Silberling), Best Musical Score, Best
Picture. Those are just my suggestions to the Academy,
though I doubt they will be considered. I do, however,
feel that Oscar just might shine on this little marvel of
American cinema and I will applauding the whole night through if
that happens. Guess we'll just have to wait until March to
find out. Crawl through broken glass to see this movie if
you have to.
-- Billy
Ray ( 4 out of 4 pops )
Talk
about this film with other Popkorn Junkies |
|
Other Junkie's
opinions.....
Matt ( 3 1/2 out of 4
pops )
"Moonlight
Mile" may not appeal to all audiences, because it moves at a
deliberate pace and is mainly driven by its dialogue and characters.
So for those with a low attention span (AKA my father, who saw it and
didn't understand the movie one bit), please stay away. But I
loved this movie! I'm a huge Dustin Hoffman fan (who isn't?), so
the minute I saw his face in the previews I thought to myself, "I
have to see this movie!" Dustin is excellent, like always,
but the rest of the cast is excellent as well. Jake
Gyllenhaal was very good in "Donnie
Darko",
"October Sky" and other past films, but I think this is the
role that will put him on the map. He gives such a beautifully
moving performance that I felt his every emotion, by just reading the
pain and anguish in his face. Jake and Dustin share the screen
many times during the course of the film, and I admire him very much for
holding his own while face-to-face with a screen legend. Susan
Sarandon also gives a powerhouse performance, and provides some of the
film's funniest moments. Holly Hunter makes a few appearances as
the family lawyer. It's always a treat to see her on screen.
As the minutes went by, I just became more and more engrossed in these
characters' lives--almost as if I was standing there with them.
The movie didn't bring me to tears like I expected, but I won't consider
that a flaw. I still felt it was a very sad, moving film, tempered
by some great comic moments.
|
|