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I don't need a Bible to tell me that this
film commits more than just one sin:
The story
is based on a book by Cornell Woolrich, who also penned the work from
which Alfred Hitchcock's "Rear Window" was born. Both
stories are creepy, and their details are obvious to most minds.
Where Hitch, however, brilliantly keeps the viewer second-guessing
what she knows will happen, this time we are just waiting for the
story to play out. It's not nearly as engaging.
Antonio
Banderas plays a Chilean coffee mogul who sets out to find an American
bride so that she can have his babies. Angelina Jolie's
character shows up at his port, they are married, and he falls for
her. There is a lot of skin. Then she makes off with his
money, and he hunts her down saying he will kill her. The story
is narrated by Jolie wearing a skull cap and endearing herself to the
monk who is preparing her for her execution by neck-snapping.
While the
story presents many possibilities for development (a la "Rear
Window"'s comments on voyeurism and the cinematic experience),
what we get is some really weak dialogue presented by people who seem
to be playing dress-up rather than actually communing with their
characters. The problem's essence is possibly with the mood of
the movie. Despite some gorgeous scenery and costuming, the time
period seems incidental and the actors seem almost bored, or as if
they are just practicing. Possibly, "Original Sin" is
an attempt at an homage to moving pictures of old, but it falls short.
Where, oh where, is Hitchcock when you
need him?
-- Liz
( 2 out of 4 pops )
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