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The buddy comedy film has its roots
buried deeply into the Hollywood historical archives. One need look
no further than the classic Road movies of Bing Crosby and Bob Hope
to see that even in the Golden Age of Hollywood, this formula was a
proven winner.
Through the ages the buddy formula has morphed from comedies to
become more a stable of cop and action films to the point where
audiences feel like they have seen it all before as there has been
little new brought to the genre since the surprise twist in “To
Live and Die In LA” as rising budgets have caused producers and
studios to take the safe, yet predictable route in filmmaking.
That is not to say that predictable can be a bad thing. As a good
story with well-matched leads, ala Gibson and Glover in the
“Lethal Weapon” series, a huge hit at the box office and many
successful sequels can follow.
With the box office success of “Shanghai Noon” the folks at
Disney were eager to reunite martial arts superstar Jackie Chan with
rising star Owen Wilson for more adventures in the old west.
Naturally the two actors schedules had to be taken into account as
Chan had “Rush
Hour 2” and “The
Tuxedo” slated for completion and Wilson had “Behind
Enemy Lines” and “I-Spy”
to complete. Eventually the two stars were able to reunite and
provide the further tales of Chinese Imperial Guard Chon Wang (Chan)
and hustler Roy O’Bannon (Wilson).
At
the start of the Film, Wang is the sheriff of Carson Nevada, while
Roy is living the life of a playboy in New York, coasting on the
fame he has garnered by a series of fictional novels about his
exploits with the Shanghai Kid in the last film. The fact that the
stories are complete nonsense and worst of all, relegate him to
sidekick status are a constant irritant to Chon.
The
focus of the story is on Chon and Roy reuniting to travel to London
in an effort to retrieve the stolen Emperors seal from those that
stole it, as well as avenging the death of Chon’s father by those
who stole the seal. Along the way the duo teams up with Chon’s
sister Lin (Fann Wong), and take on an assortment of bad guys who
are bent on seizing power in both China and England, and changing
the course of history. Along the way the trio encounter a myriad of
characters who’s names and places in history will delight fans
once they are revealed but whose identities I will keep secret in
this review.
The
action of the film is solid as Chan’s trademark moves are
brilliantly staged setup. His tribute to “Singing in the Rain”
was brilliant and generated solid applause from members of the
audience who were able to understand the reference. Wilson is funny
in his portrayal of Roy as the hustler with a heart of gold that
finds himself not only fighting for the greater good, but also
falling for Lin and facing dilemma about the direction of his life
as well as his past. Adian Gillen gives a good performance as the
villain Rathbone, as he oozes an upper class smugness that does not
conceal his menace. I was reminded of the fantastic performance of
Jason Isaacs in “The Patriot” in his performance as he took what
was for all intents and purposes a stock villain and made him stand
out. Lin was also a welcome addition to the cast as her slightness
and beauty only added to her appeal as she mixed it up with the boys
on equal terms and displayed more then a few amazing martial arts
moves showing that she is a face to watch for in the future.
My
biggest fault with the film and it is minor was that many of the
references and terms Roy utters in the film would not have been used
in 1888 as not only where many of them not in the vernacular of the
time, but also not phrases or ideas that people of a less
enlightened time would use. Still, that and the use of vintage
modern-age music in the soundtrack did little to detract from what
was an enjoyable film, and Chan and Wilson made and enjoyable team
once again. If the ending of the film is any clue then a third
outing in the series may be in the cards and that might not be such
a bad thing.
-- Gareth
Von Kallenbach ( 2 1/2 out of 4 pops )
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